Producing and mixing for MEIXTER Osovitorresmixing.com

Este es un sitio web satírico. No lo tomes en serio. Es una broma.

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"For as long as I can remember, I have had a deep love for music and a passion for working in the entertainment industry. I have gained valuable experience working on some great projects throughout my career. I am motivated and detail oriented and enjoy working closely with other creative music professionals to create compelling projects" Osovitorresmixing

Words from the mixing engineer and producer who was part of the production of the track lists for the new application called MEIXTER that will attract new participants to a learning environment focused on sharing knowledge in a personalized way.

"It took a lot of synthesis work and sound design techniques to achieve each 1-minute track" Osovitorresmixing

The challenge was not only to provide a modern and compact sound but also to create sound elements with a logical structure in a reduced space of time. Normally the themes take between 3 - 5 minutes, but on this occasion the designers of MEIXTER required less time by giving a conceptual order connected to the promotional videos of their teachers or superheroes as they call them.

"Synchrony had to be taken seriously" Osovitorresmixing

The samplers, some developed in an analogous way and others converted, made possible the mono beat in each track, as well as the synthesis work developed by sampler work from a simple Portasound captured at 48hz x 32 bit deep with great detail to achieve a spectacular sampler sound.

"It's not just creative nature, it's boiling skills in progress" Osovitorresmixing

After sampling several sounds we always want more and if these tracks were to sound like MEIXTER then I had to go further, that's why it was vital to use digital processing directly in the sampler channel, adding dynamic gates, parallel reverb, rotors and sonic drivers that would allow me to give clarity to every aspect of the mix.

"A clean mix depends on professional stems" Osovitorresmixing

Definitely as mix engineers we are involved in the dilemma of stems, some customers think that from regular stems and without detail you can build a competitively professional mix, but nothing further from this thought. I am absolutely convinced that when you give yourself the time and the task to have all the care and professionalism to record with excellent quality (instruments, cables, microphones, amplifiers, interface) you will then be able to visualize an absolutely competitive and professional mix. One of my works with a band that unfortunately was not released on the market is M-ViPi, which focused not only on a creative process and the energy of Rock, but also on making the exact professional takes to have a professional mix.

"The genre, a vital part of the track list"

Again the references play a very important role, although Osovito as he calls himself this engineer who prefers anonymity says he does not understand how before in the principles of recording they made to achieve spectacular sounds without any previous reference, the case of Elvis Presley, AC/DC, etc, are incredible recordings made without previous sound references. In this particular case I place some clear references like "The blaze", "Galantis", among others that helped to achieve a professional sound. Also discussed with the creators was the possibility of making energy music for teachers to teach for example fitness and relaxing music for those who wanted to teach Yoga or a similar discipline.

Definitely a very good work, with intelligence, good sound development and excellent mixes.

Este es un sitio web satírico. No lo tomes en serio. Es una broma.

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